Hammer -hans Billian- Lov... [exclusive] — Stossgebet Fur Meinen

The 1970s marked a radical turning point for West German adult cinema. Following the liberalization of the German Criminal Code (StGB § 184) in 1973, erotic filmmakers moved out of clandestine subcultures and into the mainstream spotlight. Among the most prolific pioneers of this golden era was director, screenwriter, and producer .

Following the conclusion of World War II, Billian settled in West Germany and pivoted to a career in theater, acting on stages in Hamburg and Wolfenbüttel. He eventually transitioned to the film industry, initially serving as a director's assistant before finding steady work with Constantin-Film in 1950. During this period, from the 1950s to the mid-1960s, Billian established himself as a versatile screenwriter and director, primarily focusing on the popular German genre of Heimatfilm —sentimental films celebrating rural Bavarian culture, such as *Ich kauf' mir lieber einen Tirolerhut* (1965).

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However, based on the keywords in the title you provided, I can give you the context regarding what this post likely discusses. It appears to be a reference to the 1970s German sex film genre known as (sex education films).

Hans Billian's 1976 short film, Stoßgebet für meinen Hammer (also known as Pray for My Cock Stossgebet fur meinen Hammer -Hans Billian- Lov...

A man invades a "ladies-only" sauna day, leading to a series of escalating sexual encounters involving a mother (Frau Kellner) and her teenage daughter.

Hans Billian’s "Stoßgebet für meinen Hammer" remains a fascinating footnote. It challenges us to look beyond the director’s reputation and see the satirist who understood that a man’s most intimate, desperate pleas are rarely for abstract love or light, but for the simple, heavy reliability of a tool that works.

Given the keywords, the real film you are likely seeking is neither lost nor mysterious. It is almost certainly one of two productions:

“Stoßgebet für meinen Hammer” is not a great film. It is not even a good film by most conventional measures. But it is an — a testament to the era when a German director could take a religious term, a sexual metaphor, and a sauna and spin them into 21 minutes of forbidden entertainment. The 1970s marked a radical turning point for

The film's plot follows a woman named Frau Kellner who takes her teenage daughter, Inge, to a sauna on a designated "ladies' day". Despite the restriction, a man insists on entering the sauna. When Frau Kellner complains to the owner, Brandauer, about the man's presence, she finds him indifferent. Upon returning, she discovers her daughter has become involved in the man's activities. The situation escalates into an orgy, revealing that the man was intentionally placed there by the owner. Key Film Details Release Year: Director/Producer: Hans Billian Uschi Karnat Christine Szenetra Adult/Short Film Approximately 21 minutes

Portrays a "raunchy client" who facilitates the man's entry.

After a thorough search of film archives, literary databases (including the German National Bibliography), and Hans Billian’s credited filmography (1950s–1970s), for a title called “Stossgebet fur meinen Hammer” (translated: “Short Prayer for my Hammer” ) can be found.

Shot in Color with a 4:3 aspect ratio and Mono sound mix. Following the conclusion of World War II, Billian

In a 1975 interview with Stern magazine, Billian was asked about his use of tools in sex scenes. He replied (translated loosely): “The German man is lost without his hammer. He uses it to build, to destroy, and to love. If he forgets to say a little prayer first, the hammer fails him. That’s just physics.”

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: Plays a "raunchy client" who facilitates the intruder's entry. Director/Producer : Hans Billian . Hans Billian’s Directorial Style

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