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Bertolucci uses the film to examine the "Luna" (the moon) as a symbol of the feminine, the changing, and the unreachable. The movie is famous for several key elements:
Following the massive success of Last Tango in Paris (1972) and 1900 (1976), Bernardo Bertolucci turned to a more intimate, yet no less provocative, subject: the emotional and borderline-incestuous bond between a mother and her adolescent son. La Luna (simply "The Moon" in Italian) is a film that dares to go where few directors would tread, and its reception at the time—and now—remains deeply divided.
Jill Clayburgh (Caterina), Matthew Barry (Joe), Tomas Milian (Giuseppe), Fred Gwynne (Douglas) Release Date: August 29, 1979 Runtime: 142 minutes Plot Summary la luna 1979 movie okru
Bernardo Bertolucci envisioned La Luna as a "post-Freudian fable," inspired by the melodramatic structures of Verdi's operas. The story was co-written by Bertolucci with his brother Giuseppe and his wife Clare Peploe. The film was a lavish Italian-American co-production, shot by the legendary cinematographer Vittorio Storaro, whose masterful use of light and shadow contributed to the film's intoxicating, dreamlike quality. The haunting score was composed by the iconic Ennio Morricone, who incorporated Verdi's work to enhance the operatic feel of the piece.
Bernardo Bertolucci Starring: Jill Clayburgh, Matthew Barry, Tomas Milian Also known as: Luna Bertolucci uses the film to examine the "Luna"
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Critics and scholars view the film as a "psychoanalytic comic book" that uses grand symbols to explore human desire. Film Critic: Adrian Martin Operatic Excess: The film's style mirrors the operas of Giuseppe Verdi Jill Clayburgh (Caterina), Matthew Barry (Joe), Tomas Milian
1979 psychological drama La Luna (often released simply as Luna ) stands as one of the most controversial, visually sumptuous, and polarizing pieces of art-house cinema from the late 20th century. For contemporary cinephiles and researchers tracking down rare, uncut masterpieces, searching for "la luna 1979 movie okru" has become a popular method to locate this elusive film on the global video-hosting platform OK.ru (Odnoklassniki).
At its core, "La Luna" is a film about the fragility of human relationships and the search for identity. Bianca's struggles with her mother and her own desires serve as a metaphor for the challenges of adolescence and young adulthood. The character of Laura represents a symbol of freedom and nonconformity, inspiring Bianca to question her own values and desires.
Cinematographer Vittorio Storaro (who also shot Apocalypse Now and The Last Emperor ) bathed the film in rich, operatic colors. The visual contrast between the cold streets of New York and the warm, golden hues of Rome is masterfully executed. Why Viewers Search for "La Luna 1979" on OK.ru
The movie leans heavily into Freudian themes, examining the blurred lines between maternal care and romantic obsession. Addiction and Isolation:
