: The autobiography features rare, candid anecdotes about working alongside guitar virtuosos Randy Rhoads, Ritchie Blackmore, and Gary Moore. Why Readers Search for the Book Online
Bob Daisley's "For Fact’s Sake": The Definitive Rock & Roll Truth
| Field | Detail | |-------|--------| | | Robert John Daisley | | Born | February 13, 1950 | | Origin | Sydney, New South Wales, Australia | | Primary Instruments | Bass guitar, backing vocals, primary songwriting (uncredited) | | Genres | Hard rock, heavy metal, blues rock | | Years Active | 1968–present (semi-retired after 2010s) |
To read the book with the highest formatting quality—including all the rare photographs and archival documents Daisley included—it is best to look for legitimate digital editions.
Daisley’s book is highly sought after by rock historians because it pulls back the curtain on the mechanics of legendary album creations. 1. The Birth of the Blizzard of Ozz Band bob daisley for facts sake pdf 1 new
Readers are treated to rare, humanizing glimpses of larger-than-life figures. Daisley shares stories of having casual tea with AC/DC's Bon Scott, navigating the notoriously perfectionist temper of Ritchie Blackmore in Rainbow, and sharing profound creative chemistry with Randy Rhoads. Rather than focusing solely on the cliché "sex, drugs, and rock 'n' roll" tropes, Daisley beautifully captures the camaraderie, the shared financial struggles of musicians on the rise, and the genuine magic that happens when the right players lock into a groove in a rehearsal room. The Search for the "PDF 1 New" and Availability
In 1998, Daisley and Kerslake filed a new lawsuit in the United States, seeking approximately in damages for royalties they claimed were never paid. That case was dismissed in 2003 after a federal judge ruled that the statute of limitations had expired, because the plaintiffs had known since 1991 that they were not receiving royalties. Undeterred, Daisley launched another lawsuit in 2016, this time alleging that Ozzy and Blizzard Music Limited had hidden royalty income behind a “sham” US company, depriving him of at least $2 million from “Crazy Train” alone. The suit claimed that an audit performed in 2014 had revealed improper withholding of income. Ozzy’s representatives denied the allegations, pointing out that Daisley had been receiving biannual royalty statements and checks “totalling in millions of dollars, which have been routinely cashed”. That case was also dismissed.
| Year | Artist | Album | Daisley’s role | |------|--------|-------|----------------| | 1978 | Rainbow | Long Live Rock ’n’ Roll | Bass | | 1979 | Gary Moore | Back on the Streets | Bass, co-writer | | 1980 | Ozzy Osbourne | Blizzard of Ozz | Bass, lyrics, co-writer | | 1981 | Ozzy Osbourne | Diary of a Madman | Bass, lyrics, co-writer | | 1982 | Gary Moore | Corridors of Power | Bass | | 1983 | UFO | Making Contact | Bass, co-writer | | 1986 | Uriah Heep | Equator | Bass | | 1988 | Ozzy Osbourne | No Rest for the Wicked | Co-writer (lyrics/music) | | 1991 | Ozzy Osbourne | No More Tears | Co-writer (4 tracks) | | 2004 | Living Loud | Living Loud | Bass, vocals, co-writer |
The story of Bob Daisley is not over. Even as he approaches his mid-70s, the controversies of the past continue to resurface in the news. : The autobiography features rare, candid anecdotes about
The physical and official digital versions of the book feature hundreds of rare, personal photographs from Daisley’s private collection. Poorly formatted bootleg PDFs often omit these completely or display them in low resolution.
One of the most compelling—and heartbreaking—aspects of the book is the detailed breakdown of how he and Lee Kerslake were unceremoniously fired and stripped of their proper recognition. Daisley provides a step-by-step account of the legal battles that followed, including the infamous 2002 reissue of the albums where their original bass and drum tracks were controversially re-recorded by Robert Trujillo and Mike Bordin. 3. Beyond Ozzy: Rainbow, Black Sabbath, and Gary Moore
: Provided the low end for multiple records and world tours. A Memoir Built on Meticulous Detail
The tone of the book is described as “impressively detailed, funny, quick‑paced, shocking at times, and above all, packed with reflection and insight”. It is both a memoir and a piece of rock history – and for fans who have followed the saga, it is the long‑awaited chance to hear Daisley’s side of the story directly from the source. Rather than focusing solely on the cliché "sex,
“I wrote those lyrics in Ozzy’s living room while he watched TV. He never changed a word.” — Guitar World , 2011
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Given the legal grey area, here is the ethical superfan’s roadmap: