| # | Album | Release Year | Type | Key Tracks | | :--- | :--- | :--- | :--- | :--- | | 1 | | 1991 | Studio | Ekti Chele, Boshe Achi, Shadhikar | | 2 | Obak Bhalobasha | 1994 | Studio | Obak Bhalobasha, Ondho Jibon, Neel Shopon | | 3 | Jibondhara | 1997 | Studio | Jibon Dhara, Mounota, Tumi | | 4 | Oshamajik | 1998 | Studio | Oshamajik (Title Track) | | 5 | Alo | 2000 | Studio | Hotasha, Shomoy, Mrittu Alegi | | 6 | Moharaj | 2003 | Studio | Hariye Tomake, Moharaj, Herecho | | 7 | Poth Chola | 2009 | Compilation | Tomake, Omanush (New Tracks) | | 8 | Shotto | 2012 | Studio | Purnota, Rupkotha, Agami |
arrived in 1998 during a period of significant transition. Following the departure of bassist Babna Karim, the band welcomed Saidus Sumon on bass. The album captures a darker, more aggressive tone, reflecting the societal frustrations often hinted at in the band’s earlier work. The title track deals with themes of alienation and non-conformity, while the music features tighter production and more complex guitar interplay.
Ironically named after their first-ever hit, Poth Chola (The Journey) marked the beginning of the Kashif era. This album is a non-stop assault of high-energy rock anthems.
Warfaze arrived in the mid-1980s as a volcanic force in Bangladeshi rock, and their discography reads like the evolution of an insurgent national sound attempting to reconcile ambition, technical restlessness, and changing audiences. To treat “all albums” is to trace a band that moved from underground metal fury into more expansive progressive and alternative territories, sometimes wrenchingly successful, sometimes compromised — but always consequential. warfaze all album
Hard rock with a conscience. Legacy: Underrated; showed Warfaze refusing to go soft.
To complete your collection of , you can find their entire discography on:
Marking a shift into the new millennium, this album brought a more polished production and hits such as Moharaj (2003) | # | Album | Release Year |
Widely considered a masterpiece, this second album displayed a massive jump in composition complexity and lyrical depth. It embraced a progressive metal blueprint while maintaining intense emotional energy.
is the undisputed pioneer of heavy metal and hard rock in Bangladesh . Formed on June 6, 1984, the band transformed a pop-heavy musical landscape into a thriving haven for distorted guitar riffs, soaring double-bass drumming, and powerful social commentary. Their massive impact was globally recognized when they were honored with the prestigious Ekushey Padak in 2026 for their revolutionary contributions to rock music.
| Album | Primary Genre | Dominant Lyrical Theme | Vocal Style | Guitar Focus | |-------|---------------|------------------------|-------------|--------------| | Warfaze (1990) | Heavy Metal | Rebellion | Aggressive, rough | Distorted riffs, fast solos | | Obak Bhalobasha (1992) | Hard Rock | Love & longing | Melodic | Clean/acoustic + distortion | | Shotto (1994) | Hard Rock / Metal | Political truth | Powerful, dynamic | Dual harmonies, epic solos | | Ato Kichu Chaibo Na (1997) | Soft rock / Ballad | Romance | High-pitched, soft | Acoustic-led | | Oshamajik (2000) | Hard rock | Social critique | Mixed | Synthesizer-integrated | | Poth Chola (2004) | Rock / Blues | Fatigue, loss | Weary | Minimalist solos | | Moharaj (2008) | Heavy / Thrash | Anger, revival | Raspy, intense | Return to complex riffs | | Alo (2018/20) | Progressive rock | Existential | Restrained | Experimental time signatures | The title track deals with themes of alienation
Widely considered a benchmark in Bangla rock music, this 1994 release solidified Warfaze's legendary status.
Warfaze All Album Discography: A Journey Through Bangladeshi Heavy Metal Royalty
The Evolution of Warfaze: A Journey Through Their Discography