Crucial for high-gain metal. Use the built-in Noise Gate in the stomp section to keep staccato riffs tight and quiet. Delay/Reverb (Post-Amp): A subtle digital delay for solos. Crafting Specific A7X Tones Rhythm Tone ("Hail to the King" Era) Amp: Mesa/Boogie Triple Rectifier. Stomp: T-Screamer (Gain: 1, Volume: 8, Tone: 5). EQ: Boost at Hz slightly, cut at Hz to remove "muddiness." Cab: 4x12 loaded with V30s. Solo Tone ("City of Evil" / "White Album" Era) Amp: Mesa/Boogie Mark IV. Stomp: Delay (short delay time, low feedback). EQ: Boost upper-mids (around kHz) for presence and cut some bass. Compression: Light compression to add sustain to notes. Pro-Tips for Realism
repeats) and a subtle to make the solos soar over the rhythm section. 6. Tuning to the Masters
The star of the show is the SYN 100, a model based on a highly modified Marshall JCM800 2203 that Synyster Gates used extensively during the tracking of the Nightmare album. In the digital realm, this amp offers a tight, aggressive mid-range that cuts through a mix like a scalpel. It provides that classic "chug" on the low strings while retaining clarity for intricate leads.
To capture this unique sonic signature, construct your virtual signal chain in AmpliTube 5 using the following key components. amplitube 5 avenged sevenfold
We will assume you are using AmpliTube 5 Max or the standard version with the available gear models. Here is the pedalboard and amp setup you need to replicate.
Mix at 15% with a long decay time to give the solos a stadium-like atmosphere.
The Diezel VH4 (Channel 3) is the core of Synyster Gates’ modern tone (2016–present). AmpliTube 5 does not include Diezel in the base version. You must buy the AmpliTube Diezel VH4 Collection (≈$99.99 USD) from IK’s Custom Shop. Crucial for high-gain metal
Dense distortion that remains clear even during complex chords.
Pan them hard left and right. This creates the massive wall of sound heard on Nightmare .
: The treble is dialed in to provide maximum presence and clarity during blistering guitar solos, while staying smooth enough to avoid ear fatigue. Building the Ultimate A7X Rig inside AmpliTube 5 Crafting Specific A7X Tones Rhythm Tone ("Hail to
Use the EQ section in the AmpliTube 5 mixer to clean up your master guitar bus. Apply a High-Pass Filter (HPF) at 80 Hz to clear out room for the bass guitar and kick drum. Apply a Low-Pass Filter (LPF) at 12 kHz to eliminate unpleasant digital fizz and high-end harshness.
To dial in a convincing A7X tone, you must understand the two distinct pillars of their studio and live rigs:
Excellent for the thick, aggressive rhythm tones found on City of Evil . Dual Rectifier Mesa/Boogie ): Ideal for achieving the heavy, modern metal crunch. British Lead ( Marshall JCM2000 DSL100 Go to product viewer dialog for this item.
Based on Synyster Gates' signature Hellwin settings, use these as a starting point: 8 – 9 (Careful not to wash out the tone) 7 (A7X is not heavily "scooped") 6 – 10 (Higher for older metalcore sounds) Adjust to taste for "cut" in the mix Finding Presets
