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La Disubbidienza 1981 Ok.ru — |verified|
While Moravia’s novel was published shortly after World War II, director Aldo Lado brought the story to the screen in 1981. Lado, primarily known for his stylish giallo thrillers like Short Night of Glass Dolls (1971) and Who Saw Her Die? (1972), shifted his focus toward historical drama infused with the high-art eroticism that characterized late 70s and early 80s European cinema. Plot Synopsis
Behind the camera, La Disubbidienza boasts a crew of extraordinary talent, adding to its artistic pedigree. The film's score is composed by the legendary , one of the most celebrated film composers of all time. The cinematography, which captures the decaying beauty of wartime Venice with a lush, evocative palette, was handled by Dante Spinotti , who would later become famous for his work on American classics like Heat and L.A. Confidential . The screenplay was adapted from Moravia's source material by Aldo Lado himself, alongside Barbara Alberti and Amedeo Pagani (the latter of which appears in the film as Luca's piano professor).
To fully appreciate the 1981 film, one must understand the source material. Alberto Moravia was a titan of 20th-century Italian literature, famous for examining human alienation, existential dread, and sexual politics. His other adapted works include iconic masterpieces like Bernardo Bertolucci's The Conformist (1970) and Jean-Luc Godard's Contempt (1963).
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The film vividly illustrates the Freudian conflict between Thanatos (the death drive) and Eros (the life/sexual drive). Luca’s initial rebellion is entirely self-destructive; he chooses starvation and spiritual death to spite the world. It is exclusively through sensual, physical pleasure—proffered by Angela and completed by Edith—that he chooses life over death. 3. The Aesthetics of 1980s Italian Cinema
La Disubbidienza is much more than a simple coming-of-age story. It belongs to a specific sub-genre of Italian cinema that explores the intersections of fascism and psychology, drawing thematic parallels to works like Bernardo Bertolucci's The Conformist (1970) and Pier Paolo Pasolini's Salò, or the 120 Days of Sodom (1975). The Conflation of Fascism and Patriarchal Control
The family's attractive governess acts as Luca’s first brush with sensual temptation. Their interactions spark his repressed desires, pulling him out of his absolute numbness, though their bond ends abruptly due to tragic circumstances. While Moravia’s novel was published shortly after World
The film features a haunting score by the legendary Ennio Morricone , enhancing the psychological tension.
Despite these potential technical limitations, La Disubbidienza is recognized as an intelligent, thought-provoking film worth the effort to locate. Conclusion
To fully understand La Disubbidienza , one must look to its source material. Alberto Moravia was one of Italy’s foremost 20th-century novelists, famous for exploring themes of modern alienation, bourgeois hypocrisy, and the intersection of politics and human sexuality. His other adapted works include Bernardo Bertolucci’s masterwork The Conformist (1970) and Jean-Luc Godard’s Contempt (1963). Plot Synopsis Behind the camera, La Disubbidienza boasts
The late 1970s and early 1980s marked a transitional period for Italian cinema. The golden age of commedia all'italiana and auteur-driven neorealism was giving way to genre films, television co-productions, and highly stylized erotic dramas. Director Aldo Lado, best known for his atmospheric giallo thrillers like Short Night of Glass Dolls (1971) and Who Saw Her Die? (1972), brought a distinct psychological tension to La Disubbidienza .
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This blend of serious political commentary with explicit eroticism makes the film a unique and challenging piece that fits uncomfortably into the traditions of both Italian political drama and erotic cinema.
For those interested in further exploring the context of this film, additional areas of study include:
His existential crisis is interrupted by two influential women: