Initially playing in local clubs, the band quickly rose to prominence, even opening for the during their 1967 Italian tour. After releasing their first two albums ( Senza orario Senza bandiera in 1968 and a self-titled collection in 1970), the group shifted from beat and psychedelic sounds toward a more ambitious musical vision. That vision would fully materialize in 1971 with the release of what is still considered one of the most important albums in Italian rock history: Concerto Grosso per i New Trolls (often referred to as Concerto Grosso No. 1 ).
The album not only contains the three-movement concerto but also several other tracks that showcase the band's evolving sound. The core concerto consists of:
: It leans heavier into vocals and polished arrangements compared to the raw experimentation of the first volume. Why FLAC is the Way to Go
Japanese reissues of Italian progressive rock are world-renowned for their pristine audio engineering. Look for FLAC files ripped from Japanese mini-LP CD replicas, which boast meticulous tape transfers and minimal loudness-war compression. new trolls concerto grosso n1 e n2 flac s top
In the early 1970s, was undergoing a massive creative explosion. While groups like PFM and Banco del Mutuo Soccorso were building complex keyboard-driven epics, New Trolls took a radically different path by directly merging the classical concerto grosso form with rock music.
In 1971, New Trolls collaborated with Argentine-Italian composer Luis Bacalov, famed for his cinematic scores. Bacalov sought to blend the structural rigor of the Baroque concerto grosso form—where a small group of soloists (the rock band) dialogues with a full orchestra—with the raw energy of contemporary British progressive rock acts like Jethro Tull and King Crimson.
This public link is valid for 7 days and shares a thread, including any personal information you added. This link or copies made by others cannot be deleted. If you share with third parties, their policies apply. Can’t copy the link right now. Try again later. New Trolls – Concerto Grosso N.1 E N.2 - Discogs Initially playing in local clubs, the band quickly
, a long-form improvisation showcasing the band’s technical skill, including an extended drum solo by Gianni Belleno. Concerto Grosso N. 2 (1976)
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represents a landmark fusion of Baroque orchestral structures and psychedelic rock. Released in 1971 and 1976 respectively, Concerto Grosso N. 1 Concerto Grosso N. 2 were composed in collaboration with Argentinean composer Luis Enriquez Bacalov Concerto Grosso N. 1 (1971) Originally conceived as the soundtrack for the film The Designated Victim La Vittima Designata Why FLAC is the Way to Go Japanese
To understand why Concerto Grosso N.1 and N.2 sound so spectacular in a lossless format, one must look at their origin. In the early 1970s, Italian composer (famous for his Oscar-winning film scores) envisioned a piece that bridged the gap between the Baroque period and contemporary rock. He found his perfect partner in New Trolls, a band already known for their vocal harmonies and technical prowess.
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