Joe D-amato - Queen Of - Elephants 2- Sahara -19...
To understand this, we need to look at two key films by Joe D'Amato: the original "Queen of the Elephants" and its de facto sequel, "Sahara."
In conclusion, Joe D'Amato's "Queen Of Elephants 2- Sahara -19..." is a landmark film that showcases the master's continued relevance and creative vitality. This epic adventure, set against the stunning backdrop of the Sahara Desert, promises to deliver an unforgettable viewing experience.
1998 (Often confused with earlier works or 1980s catalog due to D'Amato's style) Morocco (Specifically a desert oasis setting) Donna Dane Donatella Donati Are you researching this as part of a cinematic study on D'Amato's filmography, or are you looking for where to view this specific rare title? Sahara (Video 1998)
The film features a "who's who" of 1990s adult cinema performers, often presented in exoticized roles: Joe D-Amato - Queen Of Elephants 2- Sahara -19...
In the 1990s, D'Amato pivoted heavily into high-budget, hardcore adult features. He frequently utilized exotic global backdrops, period-piece costumes, or literary parodies to elevate standard adult content into sweeping, narrative-driven features. Sahara serves as a quintessential product of this era. It highlights his signature technique of pulling double duty as both the film's director and its Director of Photography. The Illusion of a Sequel: Marketing vs. Reality
One of the most notable pieces of trivia surrounding Sahara is its international marketing campaign. Though local DVD distributors packaged the film as Queen of Elephants Part 2: Sahara to capitalize on the financial success of D'Amato’s 1997 exotic feature, .
Joe D'Amato's work, including his "jungle" films like Queen of the Elephants and Sahara , is often characterized by a disregard for conventional narrative structure in favor of providing "what the viewer wants" (a mix of travelogue, melodrama, and erotica). To understand this, we need to look at
1998 film " Sahara " —often marketed globally under the alternative title " Queen of Elephants Part 2: Sahara " —stands as a fascinating artifact from the twilight era of Italian exploitation cinema. Directed by the legendary and incredibly prolific Aristide Massaccesi under his most famous pseudonym, Joe D'Amato, this adult adventure film represents the director's late-career pivot into high-budget, narrative-driven hardcore pornography.
By 1998, Joe D’Amato (born ) was entering the final year of his prolific career. Having directed hundreds of films across westerns, horror, and erotica, Massaccesi used his vast technical background as a cinematographer to ensure that even his hardcore adult films maintained a cinematic flair.
Given the partial information ("19..." likely refers to the late 1990s or early 2000s), the title suggests an adult/exploitation film directed by Joe D'Amato (real name Aristide Massaccesi), part of his Queen of Elephants series, with a setting in the Sahara desert. Sahara (Video 1998) The film features a "who's
The narrative of Sahara revolves around two wealthy European businessmen who travel to Morocco with the intent of purchasing a leather manufacturing company. Seeking to secure the business contract and immerse the foreigners in local customs, their Moroccan hosts introduce them to an array of exotic delights, lavish banquets, and sensual encounters.
Once they arrive, business quickly takes a back seat to pleasure. The foreign investors are swept up by local hosts and treated to an array of highly charged, exotic delights, shifting the film into a series of deeply erotic encounters set against lavish backdrops. Production Data and Cast Credits
However, as viewers quickly note, . Furthermore, it is not a true narrative sequel. While several recurring cast members from D’Amato’s stable of actors appear in both movies, they play entirely different characters in Sahara than they did in the original film. The title was purely a marketing strategy used by distributors to bundle D'Amato's exotic, foreign-location adult features into a singular, recognizable franchise.
